Jim Morrison/Dionysus and Some Criticisms of Monotheism (9/09)

Great writing by Paul DeFatta on the Dionysian influence on the life and death of Jim Morrison and the affects of the shift away from polytheism to monotheism.

Paul's Bench

Regardless of its merits as an accurate depiction of Jim Morrison, the Oliver Stone movie “The Doors” serves as a useful illustration of the risks and the dangers involved in becoming psychologically identified with a religious archetype—in this case the ancient pagan deity, Dionysus.  At the same time, the film acknowledges and vicariously celebrates the imaginatively vitalizing and enriching effects produced by an influx of such “unauthorized” (by traditional Christianity) archetypal energy.  As the movie progresses, Jim Morrison’s ego becomes increasingly identified with (or subsumed by, depending on the direction from which one approaches the situation) this age-old god of “divine madness,” leading eventually to the breakdown and disintegration of an inflated, Dionysus-and-Jack Daniels-intoxicated ego-personality.  Of course, in chronicling the progressive dissolution and disintegration of his personality, the film unfolds like a cautionary tale.  The rock star’s ego, failing to maintain even a faint toehold within the arenas of…

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